FUJI X-SYSTEM fotoaparáty

Diskuse o přístrojích s výměnnými objektivy bez zrcátka

Moderátor: Moderátoři DIGIarena.cz

Odeslat příspěvekod cport 20. 2. 2020 11:16

jj, vsak ja to tak bral :) S temito rozmery a vahou by byl prerod na zrcadlovku proste dokonaly :)

Nicmene ... ta cena je ale hrozna ...
cport
Návštěvník

Odeslat příspěvekod wikxzen 20. 2. 2020 18:39

:-) Libovolně možno na čímkoliv s Classic Chrome simulací. Tak se uvidí, zdali se to trefilo do chystané simulace Bleach Bypass v X-T4.
Obrázek

A morning in Portland, Maine, and a bleach bypass simulation for the Fujifilm X-T2
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod wikxzen 20. 2. 2020 21:03

Tak to "prasklo" k X-T4 podruhé (nokishita)...
Number of effective pixels 26.1 millions pixels

Image sensor
23.5mm x15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.

Sensor Cleaning system Ultra Sonic Vibration

Storage media
SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB) UHS-I / UHS-II / Video Speed Class V90

File Format
Still image JPEG: Exif Ver.2.3, RAW: 14bit RAW (RAF original format) TIFF: 8/16bit RGB

Number of Recorded Pixels
L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512/ (1:1) 4160 x 4160 M: (3:2) 4416 x 2944/ (16:9) 4416 x 2488/ (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080

Movie
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling), MP4 (MPEG-4 AVC/H.264, Audio: AAC)

Sensitivity
Standard output sensitivity: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160-12800 (1/3 step)
Extended output sensitivity: ISO80/100/125/25600/51200

Exposure control
TTL 256-zone metering, Multi / Spot / Average / Center Weighted

Exposure Modes
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)

Exposure compensation
-5.0EV – +5.0EV 1/3EV step

Movie recording -2.0EV – +2.0EV

Image Stabilizer Mechanism
Image sensor shift mechanism with 5-axis compensation

Image Stabilizer Compensation Effect
Maximum 6.5 stops (based on CIPA standard. Pitch/yaw shake only. With XF35mmF1.4 R lens mounted.)

Digital Image Stabilizer
Yes (movie mode only)

IS Mode Boost
Yes (movie mode only)

Face / Eye detection AF Yes

Shutter type
Focal Plane Shutter

Mechanical Shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.

Electronic Shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed

Electronic Front Curtain Shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.

Mechanical + Electronic Shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.

E-Front + Mechanical Shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min
Electronic front curtain shutter works until 1/2000sec.

E-Front + Mechanical + Elec. Shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.

Movie Shutter
FHD: 1/8000sec. to 1/4sec.
DCI4K/4K: 1/8000sec. to 1/24sec. (depends on the frame rate)

Synchronized shutter speed for flash 1/250sec. or slower

Continous Shooting
Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 60 frames Lossless compressed RAW / Compressed RAW: 35 frames Uncompressed RAW: 33 frames)
Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 114 frames Lossless compressed RAW / Compressed RAW: 37 frames Uncompressed RAW: 34 frames)
Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 500 frames Lossless compressed RAW / Compressed RAW: 48 frames Uncompressed RAW: 39 frames)

Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compressed RAW / Compressed RAW: 36 frames Uncompressed RAW: 34 frames)
Approx. 15fps (JPEG: 110 frames Lossless compressed RAW / Compressed RAW: 38 frames Uncompressed RAW: 35 frames)

Approx. 10fps (JPEG: 164 frames Lossless compressed RAW / Compressed RAW: 44 frames Uncompressed RAW: 37 frames)
Approx. 8fps (JPEG: 200 frames Lossless compressed RAW / Compressed RAW: 49 frames Uncompressed RAW: 39 frames)

Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames) Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 37 frames after full press, total max. 57 frames) Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 300 frames after full press, total max. 310 frames)

Auto Bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps) Filmsimulation bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)
Focus Bracketing (AUTO, MANUAL)

Focus Mode
Single AF / Continuous AF / MF

Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

Focu Low-Light Performance
Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached)

Focus AF Frame Selection
Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 91 areas on 13×9 grid
Wide/Tracking AF, AF-S: Wide / AF-C: Tracking All

White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), / Custom1-3 / Color temperature selection (2500K-10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater

Self-timer
10sec. / 2sec.

Interval Timer Shooting
Yes (Setting: Interval, Number of shots, Starting time)

Flash Sync Mode
1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (excl. EF-X8)

Flash Mode
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When EF-X8 is set)
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)

Hot Shoe
Yes (Dedicated TTL Flash compatible)

Viewfinder
0.5 inch approx. 3.69 millions dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 23mm (from the eyepiece lens)
Diopter adjustment: -4-+2m-1 (lockable)
Magnification: 0.75 x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1
Diagonal angle of view: approx. 38 Degree (Horizontal angle of view: approx. 30 Degree )
Built-in eye sensor

LCD monitor
3.0 inch, aspect ratio 3:2, approx. 1.62 millions dots touch screen color LCD monitor (approx. 100% coverage)

Movie Recording File Format
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)
MP4 (MPEG-4 AVC/H.264, Audio: AAC)

Movie Recording Compression All Intra/Long-GOP

DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD (2048 x1080)/ Full HD (1920 x1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps

Movie File Size/Frame Rate/Rec. Time
[DCI 4K (4096 x2160)]59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[4K (3840 x2160)]59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[Full HD (2048 x1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD (1920 x1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.

[Full HD (1920 x1080) High speed rec.] 240p / 200p 200Mbps(recording) up to approx. 3min. 120p / 100p 200Mbps(recording) up to approx. 6min.
Film Simulation mode
18 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg, ETERNA BLEACH BYPASS) Monochromatic Color

Clarity Setting +/-5 steps

HDR Mode
AUTO, 200%, 400%, 800%, 800% +

Grain Effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL

Color Chrome Effect STRONG, WEAK, OFF

Color Chrom Effect Blue STRONG, WEAK, OFF

Dynamic Range Setting Still
AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)

Dynamic Range Setting Movie
100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)

Advanced Filter
Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Wireless Transmitter Standard
IEEE802.11b/g/n (standard wireless protocol)

Wireless Transmitter Encryption
WEP / WPA / WPA2 mixed mode

Wireless Encryption Access mode Infrastructure

Bluetooth Standard
Bluetooth Ver 4.2 (Bluetooth low energy)

Bluetooth Operating frequency
2402 – 2480MHz (Center frequency)

Terminal

Digital interface: USB Type-C (USB3.2 Gen1x1)
HDMI output: HDMI micro connector (Type D)
Other: 3.5mm, stereo mini connector (Microphone) / 2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal

Power supply
NP-W235 Li-ion battery (included)

Battery life for still images
Approx. 600 frames (Economy Mode), approx. 500 frames (Normal Mode) When XF35mmF1.4 R is set.

Actual battery life of movie capture Face detection is set to OFF
[4K] approx. 85min. (29.97p) [Full HD] approx. 95min. (59.94p)

Continuance battery life
Face detection is set to OFF
[4K] approx. 110min. (29.97p)
[Full HD] approx. 130min. (59.94p) (movie capture)
Operating Temerature
-10 Degree C-+40 Degree C
Operating Humidity
10%-80% (no condensation)
Battery
Li-ion battery NP-W235
Starting up period Approx. 0.39sec.
Dimensions (D x W x H)
63.8 x 134.6 x 92.8 mm
Weight
Approx. 607g (including battery and SD memory card) Approx. 526g (excluding battery and SD memory card)
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod wikxzen 21. 2. 2020 15:09

Obrázek
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X-T3 (přerušovaná linka) vs. X-T4
Obrázek
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod wikxzen 24. 2. 2020 15:02

Uniklá tisková zpráva před oficiálním ohlášením X-T4. Opět několik dalších upřesnění, která stojí za zmínku.

- 30% more quiet shutter than X-T3
- huge AF improvement
- tracking success rate has been doubled compared to the X-T3
- face/eye detection dramatically improved
- 6.5 stops IBIS with 18 X mount lenses out of 29
- IBIS has magnetic force rather than springs
- X-T4 IBIS is 30% smaller and 20% lighter than X-H1’s IBIS
- shutter durability with 300,000 actuations (double the X-T3)
- 240 fps at Full HD
- Video in the same format can be recorded on to two SD cards at the same time as backup
- new battery with 500 shots in normal mode and 600 in economy mode (X-T3 has 390 shots in normal mode)

Press Text

The X-T4 uses the back-illuminated 26.1MP X-Trans CMOS 4 sensor and a high-speed image processing engine, the X-Processor 4. Combined with FUJIFILM’s colour reproduction technology, the X-T4 delivers a wide variety of options so you can recreate a scene exactly as you remember it.

IBIS provides 5-axis 6.5 stop image stabilisation when used with 18 out of 29 XF / XC lenses. It offers many new components, including new materials to the base part, a refined layout of the shutter’s shock-absorbing structure and newly developed gyro sensors that boast approx. 8 times the detection accuracy of the IBIS unit in the X-H1. This particular mechanism assists night photography and sports photography, and also helps video recording in situations prone to camera shake. The new IBIS unit uses magnetic force rather than springs, which boosts functionality while making it approx. 30% smaller and 20% lighter than X-H1’s image stabilisation mechanism.

Thanks to newly developed high-torque coreless DC motor, the ultra-fast focal plane shutter has the capability to shoot up to world’s fastest 15fps in burst mode, and has advanced response performance with a shutter release lag of just 0.035 seconds. The shutter unit also boasts double the durability with 300,000 actuations and offers shutter noise approx. 30% quieter compared to the X-T3.

The 1.62 mil dots vari-angle monitor allows for more creative and versatile shooting styles.
The LCD/EVF can be boosted in three different ways, Low Light Priority – allowing users to see the subject clearly in low light, Resolution Priority – displaying even the fine details of your subject and Frame Rate Priority which minimises blur in the viewfinder when shooting a moving subject. The eyecup now has a locking mechanism to prevent tearing or dislodgement.
The Boost / Normal modes are now joined by the Economy mode, which saves the power to increase the battery life.

The X-T4 features “ETERNA Bleach Bypass” a new Film Simulation mode, that uses FUJIFILM’s unique technology to provide versatile colour tones. The new mode simulates “bleach bypass,” which is a traditional processing technique for silver halide films; creating images with low saturation and high contrast for a special atmosphere.
Highlight and shadow tones from -2 to +4 can now be adjusted by 1/2 stops, instead of 1 stop, allowing for finer tonality, and White Balance now has “White Priority” and “Ambience Priority” options in addition to “AUTO.” The “White Priority” mode reproduces a stronger white, while the “Ambience Priority” produces a warmer tone.
When “RAW” is selected, users now choose the non-reversible “Compressed” option in addition to the reversible “Lossless Compressed.”

A new algorithm and phase detection AF’s processing capability has led to autofocus performance as fast as 0.02 seconds. This ensures that users can capture and track a subject moving at high speed, especially when combined with the continuous shooting performance of 15fps in post view and 8fps in live view.
Tracking AF performance has also undergone serious enhancement. The tracking success rate has been doubled compared to the X-T3. The Face / Eye AF performance has also been dramatically improved. This enhanced tracking ability has made focusing and taking portraits even easier than ever before.

The X-T4 is capable of recording Full HD high-speed video at 240P, producing up to 10x slow-motion effect. IBIS is effective when combined with the electronic image stabilization function (DIS) for use in the video mode, and brings even more image stabilisation, which is essential for users shooting video whilst walking.
The “IS (Image Stabilisation) Boost” mode mitigates gentle camera shakes, enabling stabilised fixed-point video recording without a tripod.

The stills and video modes now have separate menus and the video-only Quick Menu (Q Menu) button has enhanced the camera’s simplicity while recording video. A ”Movie optimised control” function has been introduced; users can adjust exposure with the command dial as well as the touchscreen panel. With this function, user can switch the STILL / MOVIE mode dial on the top panel to swiftly shift into video recording with stored video settings.

Video in the same format can be recorded on to two SD cards at the same time as backup. And the F-Log View Assist function has been added to correct low-saturation / low-contrast video while recording F-Log. Video is converted equivalent to BT.709 for display to make it easier to attain correct exposure in video recording.

The “Fix movie crop magnification” function fixes the video crop rate to prevent changes in the angle of view when switching to a different video mode. An “MIC jack setting” on the camera can be switched input level between MIC level and LINE level. The camera supports external microphones as well as LINE level input from external audio equipment.
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod Fidko 26. 2. 2020 06:39

Tak je vonku aj s prvymi recenziami predprodukcnych kusov :)

https://www.fujirumors.com/fujifilm-x-t ... -and-more/
Fidko
Pokročilý

Odeslat příspěvekod wikxzen 26. 2. 2020 12:11

Zdá se, že Patrick z FR má dobrý zdroj(-e) odkud čerpá většinou pravdivé "rumorsy". Úletem byla snad jen ta mýlka s 6K videem. Pokud tedy nešlo o překlep a jednalo se ve skutečnosti o 4K/60. :-)
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod Fidko 26. 2. 2020 13:25

Ono to bolo velmi nedoveryhodne. Urobit nieco take skokovo je imho zazrak a vzhladom k rozliseniu by to asi neslo spravit ani s obrovskym cropom. Staci sa pozriet ako S1H bojuje so 6K 30 FPS.
Fidko
Pokročilý

Odeslat příspěvekod bob222 26. 2. 2020 13:58

Za mňa super! :D
bob222
Pokročilý

Odeslat příspěvekod lennyl_2 26. 2. 2020 14:30

1.799 € na predobjednavku Fuji X-T4 je brutal cena..
Sony A7R III + Tamron 17-28/2,8 Di III RXD + Sigma 24/1,4 ART + Sony FE 35/1,8 + Sigma 85/1,4 ART DN + Sigma 100-400/5-6,3 DN
lennyl_2
Návštěvník

Odeslat příspěvekod Dolgor 26. 2. 2020 14:35

X-T4 vypadá fantasticky a dost pochybuju, že by mě v něčem limitoval. Jen tedy nejsem přesvědčený o tom artikulovatelném displeji. Vnímám ho jako ústupek blogerům, kteří na sebe chtějí vidět, ale pro fotografa je to většinou spíš komplikace. Nárůst rozměrů kvůli IBIS a beterii chápu, ale obrečím, pokud někdy do X-T4 půjdu.

-- 26. 2. 2020 14:38 --

Cena je brutální, ale v dnešní době už sám sebe vnímám jako kupce v době výprodejů nebo přes bazar, takže mě rostoucí ceny tolik neznepokojují. Fototechika vyspěla natolik, že prostě nepotřebuju mít to nejnovější.
Dolgor
Návštěvník

Odeslat příspěvekod wikxzen 26. 2. 2020 14:40

X-T3 řadu nových věcí a vylepšení z X-T4/X-Pro3 by měl dostat v nějakém rozsáhlém fw updatu v průběhu sezony, pak se to trochu srovná mezi X-Pro3, X-T3 a X-T4 - rozhodovat bude to zaměření/styl užívání.

Tak zaváděcí cena není to nejpodstatnější, jak psal Dolgor, možnosti jsou různé, ale spíše jsem zvědavý na ty termíny dodání prvních kusů, protože "koronavir".
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod Fidko 26. 2. 2020 14:53

Zase je to top APS-C kategoria, nieco ako 7D, alebo D500 ktore zvyli pri predstaveni stat este o 200eur viac. Toto je navyse velmi dobre pouzitelne v oblasti videa. Tu cenu vzhladom k starsiemu HW by som mozno cakal o taku stovku nizsie, ale uplne prestrelena mi nepride.
Fidko
Pokročilý

Odeslat příspěvekod wikxzen 26. 2. 2020 15:09

Fidko: snímač sice stejný, ale zase nějak upravený s ohledem na zaměření. Ale pak tu máš novou mech. závěrku, spoušť, nový modul IBIS pro X-T tělo, nová baterie, selfie typ displeje, dokonce i konstrukce X-T šablony doznala krom velikosti a tloušťky bajonetu pro větší skla i fešnějšího "čela" s logem... a pak řada dílčích drobností uvnitř. Být škarohlíd, tak to prodávám dráž. :-)
X-Pro2 • 16~55/2.8 • 50~140/2.8 • 16/1.4 • 23/1.4 • 56/1.2 • 80/2.8 • 90/2
Godox TT685 • Sennheiser MKE 440 SSM • Capture One 20 Pro
wikxzen
Pokročilý

Odeslat příspěvekod Fidko 26. 2. 2020 15:20

Jo, ale upravit snimac je ine nez ho kompletne vyvinut. Ale ano, tych zmien je tam pomerne dost a ta cena zase nie je extremna. Mozno je problem skor v tom, ze X-T3 by som cakal, ze bude drahsia.

Inak teda ten otocny displej, suhlasim s Dolgorom. Je to skor krok spat. Pre fotenie mi pride lepsie riesenie to ktore malo Fuji povodne. Najpraktickejsia je ta S1H verzia, ale zaroven je to dost obrovske.
Fidko
Pokročilý

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